Credit: Aquarium of the Pacific

Credit: Robin Riggs

2007 Wood, copper, ceiling tin 72 x 24 x 24 in. (182.9 x 60.9 x 60.9 cm) Courtesy of the artist and L.A. Louver Photo by Ian Byers-Gamber

Brood, 2008 Found children’s chairs, fiberglass, bronze 98 × 20 × 20 in. (248.9 × 50.8 × 50.8 cm) Collection of Gary and Kathi Cypres Photo by Ian Byers-Gamber

Rouse, 2012 Wood, bronze, fiberglass, antler sheds 90 × 76 × 73 in. (228.6 × 193 × 185.4 cm) Courtesy of the artist and L.A. Louver Photo by Ian Byers-Gamber

Installation view of Alison Saar: Of Aether and Earthe at the Benton Museum of Art at Pomona College, Sep. 1, 2020 to May 16, 2021. This exhibition is co-organized with the Armory Center for the Arts. Photography courtesy of Fredrik Nilsen Studio.

Installation view of حب / Love as part of Alia Ali: Project Series 53 exhibition on view September 2020 to May 2021 at the Benton Museum of Art at Pomona College. Photo: Ian Byers-Gamber

Sanford Biggers, Bonsai, 2016. Antique quilt, assorted textiles, spray paint, oil stick, tar, 69 x 93 in. © Sanford Biggers and Marianne Boesky Gallery, New York and Aspen. Photo: Object Studies

Consuelo Flores, Altar at Self-Help Graphics for Day of the Dead (detail), 2020. 
Credit:N/A

Moffat Takadiwa, Three Little Witches/Karoi, 2021. Found toothbrushes, computer keys, 98.4 x 177.2 x 2 inches. Courtesy of the artist and Nicodim Gallery Los Angeles. Photo: Taylor Tschider.

Pouya Afshar, Precious, 2021. Resin, 7 x 3 x 3 inches. Courtesy of the artist and ADVOCARTSY.

The Calydonian Boar Hunt; Peter Paul Rubens (Flemish, 1577 – 1640); Belgium; about 1611–1612; Oil on panel; 59.2 × 89.7 cm (23 5/16 × 35 5/16 in.); 2006.4; No Copyright – United States (https://rightsstatements.org/vocab/NoC-US/1.0/)

La Surprise; Jean-Antoine Watteau (French, 1684 – 1721); France; about 1718–1719; Oil on panel; 36.4 × 28.2 cm (14 5/16 × 11 1/8 in.); 2017.72; No Copyright – United States (https://rightsstatements.org/vocab/NoC-US/1.0/)

Original photographer retains copyright. Digital surrogate property of UCLA Chicano Studies Research Center.

Francesco Trevisani (Italian, 1656–1746), Apelles Painting Campaspe, 1720, Oil on canvas,29-3/8 x 23-3/4 in. (74.6 x 60.3 cm), The Norton Simon Foundation

Guercino (Italian, 1591–1666, Suicide of Cleopatra, c. 1621, Oil on canvas,46 x 36-3/4 in. (116.8 x 93.3 cm), The Norton Simon Foundation

Jusepe de Ribera (Spanish, 1591–1652), The Sense of Touch, c. 1615–16,Oil on canvas, 45-5/8 x 34-3/4 in. (115.9 x 88.3 cm), The Norton Simon Foundation

James Swinnerton (1875 – 1974), Valley Cloud Shadows in Monument Valley, Oil on linen, 30 x 39.5 inches, Collection of Palm Springs Art Museum Gift of Mr. and Mrs. Paul Magee

Maynard Dixon (1875 – 1946), Wild Horses of Nevada, 1927, Oil on canvas 44 x 50 inches, Collection of the Karges Family Trust Carmel, CA

Carl Oscar Borg (1879–1947), Navajo Horsemen in the Chin-Lee Valley, Oil on canvas, 35.25 x 51.25 inches, Collection of Santa Barbara Historical Museum Gift of Reginald W. Vaughan

Inge Morath, A Llama in Times Square, New York City, USA, 1957, printed 1977. Gelatin silver print. SBMA, Gift of Arthur B. Steinman. © Inge Morath / Magnum Photos

Eamon Ore-Giron, Infinite Regress LXV, 2019. Flashe on linen. SBMA, Museum purchase with funds provided by the General Art Acquisition Fund. Courtesy the artist; Fleisher/Ollman, Philadelphia; and James Cohan, New York.

Kwame Brathwaite, Untitled (Self-Portrait), 1964, printed 2018. Archival pigment print, ed. 2/5. SBMA, Museum purchase with funds provided by PhotoFutures. © Kwame Brathwaite